The Bogner Uberschall distortion pedal is a feature-packed pedal that delivers tonal flexibility. Modeled after the high-gain Bogner Uberschall amp, the Uberschall pedal brings all the heavy distortion you could imagine. It boasts five discrete Class A gain stages without diode clipping or op-amps, just like the Uberschall amplifier’s circuitry. This innovative approach provides clarity, amp-like touch sensitivity, and note separation. Although the Uberschall pedal delivers standard lower and medium gains, its real nature lies in in-your-face high-gain tones.
Brand: Bogner
Features:
Details: Overdrive/Distortion Pedal Based On the Bogner Uberschall Amplifier with 3-band EQ and Footswitchable Boost
UPC: 763815126265
EAN: 0763815126265
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The dual channel Blackstar LT Dual distortion pedal adds a different dimension to your rig. Its patent-applied-for clipping circuit provides the tube-like tone and response you need. Channel 1 delivers clean to crunchy overdrive while the Channel 2 carries on with crunch to screaming high-gain leads. The LT Dual’s control panel features Level and Gain controls for every channel and shared tone and ISF knobs. The ISF control allows you to change between British- and American-style raunch gradually.
Bring the mids back into your heavy metal sound with the Behringer Ulta Metal UM300 Heavy Metal guitar effects pedal. The UM300 doesn’t just fill that middle-frequency-shaped hole in your tone, its dedicated Mid and Mid Frequency dials let you micromanage your mids to an insane degree; just pick a midrange frequency from 200 Hz – 5 kHz and boost or cut it by up to 15 dB either way. Add an extra layer of thick, tube-like distortion to your heavy metal tonal attack with the UM300.
Ammoon’s DTC multi-effects unit is a budget-friendly four-in-one stompbox that combines three different effects with an effects loop function. Even if you don’t count the effects loop as an effect, the four-in-one designation still kinda works since the distortion section is actually split into two voicings: a vintage-leaning Crunch-style sound and a more modern high-gain tone based on the Riot. The DTC also comes with an overdrive section based on the TS9 Tube Screamer and a delay with a range of 25ms to 600ms.
As its name hints, Amptweaker’s FatMetal creates a thick, rich distortion with a warmer overall tone compared to the TightMetal pedal. It is a professional-quality tool packed with valuable features that exhibit an unmatched devotion to practicality and quality. It features Tight, Gain, Tone, and Volume controls. A trio of mini switches lets you select noise gate on/off, normal/thrash tone, and normal/black gain boost settings. FatMetal is among the few metal distortion pedals whose sound does not immediately vanish while performing with a full band.
The Amptweaker TightMetal ST Distortion Pedal takes the famed TightMetal pedal with its aggressive metal and hardcore crunch tones and incorporates Amptweaker’s proprietary SideTrak effects loop, which works only when the pedal is off. The loop lets you alternate clean effects, or a different distortion pedal, with one stomp, eradicating the stomp-box tap-dance. The TightMetal ST boasts a High/Low gain switch to choose vintage or modern metal tones. It also features a Thrash EQ switch for a deeper mid-scoop and inbuilt noise gate for extremely tight stops.
Conrad –
As far as an overdrive/distortion in one pedal goes, Uberschall is one of the best options in the market, in my opinion. It has a massive tone and is built like a tank!
Conrad –
Toni –
Works fantastically and gets you tons of gain
Toni –