The Green Russian Big Muff is a fuzz/distortion pedal from Electro-Harmonix, sold today as a compact reissue of the Sovtek Green Russian Big Muff Pi that was built in St Petersburg, Russia from roughly 1994 to 20001. The original came out of Sovtek, EHX's sister company, in the early 1990s and is widely credited with turning around the then-ailing company's fortunes2. Electro-Harmonix brought it back in August 2017 in a small Nano-sized enclosure, marketed as "the authentic reissue of the legendary Green Russian Big Muff Pi. We should know, we built the original."1
The maker classifies the current pedal as a Fuzz / Distortion / Sustainer with an analog circuit, true bypass, and a vintage-correct army green chassis3. It is revered by both guitarists and bassists, and the original became highly prized by players looking for an alternative to the thinner, brighter NYC Muff fuzz sound32.
What the Green Russian Big Muff is
The original Sovtek Green Russian Big Muff Pi was a fuzz/distortion pedal made in Russia, beloved by grunge, punk and experimental guitarists as well as bassists for its massive bass, gritty treble and compressed sustain5. MusicRadar notes the units were housed in materials taken from scrapped Russian tanks, and that they were legendary for switch faults and the lack of power jacks2. In standard tuning, these fuzzes deliver robust highs and fat bass, while in drop tunings they are instant stoner and doom riff machines2.
The 1994 V7C Green Russian variant is recognized for its additional low-end heft, typically the bassiest of the Big Muff types6. Kit Rae describes the sound as less gain, fatter bottom end, and brighter mids than most vintage USA Big Muffs, which made it a favorite among bass players1. The Black Keys used it on early live and studio recordings such as "Your Touch"1, and David Gilmour used one on his 2015/16 Rattle That Lock tour, heard in the David Gilmour Live at Pompeii concert film7.
The Bubble Font and Tall Font editions
The Sovtek Green Russian was produced in three editions, and collectors divide them by the lettering on the box1.
| Edition | Font and box | Notes |
|---|---|---|
| First, "Tall Font" | Tall, condensed Big Muff font; thick cast metal box with side ridges, plastic battery door18 | Same circuit as the "Civil War" version; poor-quality paint that flakes off1 |
| Second, "Bubble Font" | Rounded letter ends, same cast box, black dimple-top knobs18 | From around 19951 |
| Third, "Bubble Font" | Same graphics, folded sheet metal box with six screws and a metal battery door18 | "BM" added to the box graphics1 |

Under the hood the Tall Font and Bubble Font are very, very similar, basically just different lettering9. The early Tall Font first edition is identical in circuit to the Civil War version, while the second and third edition Bubble Fonts have a bit more grit and bite, less bass, and most have more sustain, though they are not as smooth sounding8. Coda Effects attributes the massive bass to the tone circuit letting a lot of bass through, with coupling caps of higher value than traditional Big Muff versions9.
The originals were big and heavy, in a full metallic enclosure roughly 6 1/2" long, and ran on a 9V battery only, with no true bypass91. They shipped in a wood crate box with Russian lettering1.
The 2017 Green Russian Big Muff π reissue

By 2017 the most desirable Sovteks had been out of production for around twenty years, and originals commanded high prices on the used market110. In August 2017 Electro-Harmonix released the Green Russian Big Muff as the first in a series of nano sized Big Muff reissues, in a compact chassis no longer built in Russia11110. It was assembled and tested in Long Island City, New York1.
The version chosen to replicate was the Tall Font Green Russian, the same circuit used in the Civil War version1. The reissue engineer was Gino Maisano, who has said it is the reissue he is most proud of1. Technically it was the third reissue of the Big Muff, and a reissue of the first reissue1. Improvements over the original include a jack for an optional 9-volt power supply, metal input and output jacks, and the much more pedalboard-friendly compact size5.
Inside, the circuit uses through-hole transistors, capacitors and diodes with surface-mount resistors, and the transistors are BC5471. Premier Guitar's reviewer described "four BC547 transistors hover[ing] like spindly Martians over the reassuringly simple, ordered PC board," with clean printed-circuit construction and board-mounted jacks12. A first for a Big Muff, a song lyric from Sleep's "Dopesmoker," "Follow the smoke toward the riff-filled land," is printed on the circuit board1.
Controls and circuit
The reissue keeps the classic three-knob Big Muff layout1.
| Control | What it does |
|---|---|
| Volume | Sets the output level3 |
| Sustain | Adjusts the amount of sustain and distortion3 |
| Tone | Provides a range of sounds from high treble to deep bass3 |
The footswitch toggles between effect and bypass, with an LED lit when the effect is active313.
The underlying Big Muff Pi circuit, created around 1969/1970, is built in five stages: an input/gain stage, two clipping stages, a tone stage, and an output stage14. Two diodes placed back-to-back in the feedback loop of each clipping stage create soft clipping15. The tone stack uses a potentiometer to blend a high-pass and a low-pass filter, and on a stock Big Muff both filters still affect the midrange at 12, leading to the signature midrange scoop15. Coda Effects notes the Big Muff is technically not a fuzz but a distortion, with most saturation coming from diodes, though its two distortion stages produce the heavily compressed, saturated sound16.
Premier Guitar's reviewer found the reissue's knobs "turn with precision and satisfying resistance, and each control has an impressively responsive and nuanced taper"12, and noted its sensitivity to guitar volume attenuation, moving from white-hot fuzz to mellow overdrive-type distortion with the volume knob12.
Power and connections
The reissue runs on the included 9V battery or an optional 9.6VDC-200mA power adapter, with the power jack at the top of the pedal313. RockBoard lists it as 9V DC, center negative, drawing 3mA17. The manual warns that using the wrong adapter or polarity may damage the pedal and void the warranty13.
Connections are a ¼" IN jack (input impedance 130kΩ) and a ¼" OUT jack (output impedance nominally 25kΩ); in bypass mode the OUT jack is connected directly to the IN jack13. Electro-Harmonix covers the pedal with a one-year repair-or-replace warranty for original purchasers from authorized retailers13.
The original Sovtek Green Russians ran on a 9V battery only, with no power jack and no true bypass1. To power an original from a standard Boss-type supply, Kit Rae recommends a 9V 100mA battery adaptor like the 1 Spot CBAT1.
Price
At launch in August 2017 the reissue carried a US street price of $80.6011. Premier Guitar listed it at a street price of $80 in 202112, and Guitar.com listed it at $108 in 202418. The current list price on Electro-Harmonix's site is $108.904.
What reviewers said
Kit Rae, who compared the reissue against six original 1990s Civil War and Tall Font Sovteks, wrote: "The Green Russian reissue fits right in with them and sounds practically identical to two of my originals. In a blind test I could not pick the reissue out."1 He added that while most clones sound only 75 to 85 percent the same as the originals, "This reissue not only sounds like an original, but it 'feels' the same when I play it."1
Premier Guitar's verdict was "Authentic Russian Big Muff sounds at a rock bottom price. Surprisingly dynamic."12 The reviewer found it "sounds like a spot-on replica of a Sovtek-era Muff much more often than not," and that having an authentically enormous sounding Russian Muff in a Nano enclosure is a smart trade for most12. The review also noted the midrange shift is most pronounced with Fender-style single-coils, while humbuckers round off the spiky midrange artifacts and re-emphasize bottom-end smoothness12.
Guitar World's round-up gave the Green Russian reissue a Total Guitar rating of 4.5/5, with the reviewer thinking of the bass sounds on Sonic Youth's "100%" while playing it, and finding the Russian Muff shines on bass193. Guitar.com noted that "with a little less biting distortion and a little more midrange, it has a reputation as the best low-and-slow Big Muff for a reason"18.
Sovtek Deluxe Big Muff π

After the success of the Green Russian reissue, Electro-Harmonix released the Sovtek Deluxe Big Muff in December 2018, designed by Gino Maisano and John Pisani20. It uses the same core circuit as the Green Russian, the circa 1991 Sovtek "Civil War" circuit, and adds the mids controls from the standard Deluxe Big Muff, the Wicker switch from the Tone Wicker Big Muff, and the blend control from the Deluxe Bass Big Muff2120. Originally it was going to be a Deluxe Green Russian, but the maker went with a color scheme paying tribute to the blue and gray "Civil War" Sovteks20.
Its controls go well beyond the three-knob reissue:
| Control or switch | What it does |
|---|---|
| Volume, Tone, Sustain | Same as the classic Big Muff Pi20 |
| Blend | Mixes dry and distorted signals21 |
| Gate | Sets the noise gate threshold21 |
| MIDS footswitch | Engages or bypasses the MIDS EQ section21 |
| MIDS Freq | Sets the mids center frequency, 310Hz to 5.0kHz21 |
| MIDS Level | Boosts or cuts up to +/- 10dB at the set frequency21 |
| Wicker switch | Opens up high frequency bandwidth for a brighter top end and more pronounced attack21 |
| Q switch | Selects low (wide) or high (narrow) mids bandwidth20 |
| EXP jack | TRS expression pedal sweeps the mids center frequency21 |
It is analog with true bypass, runs on an included 9V battery or optional 9.6VDC-200mA adapter, draws 22mA, and measures 5.75 x 4.75 x 2.5 in21. The current list price is $174.2021.
Guitar.com scored it 9/10, calling it "A timelessly gorgeous-sounding Muff with astounding tonal versatility"22. Guitar World's review called it a super-tweakable fuzz for adding dirt to basslines, praising its great value, quality build and heaps of tone options23. Kit Rae found it a very versatile pedal and preferred the Green Russian Tall Font/Civil War circuit as a base-tone platform over the standard Deluxe, though he noted the Gate is really for high gain settings, as at medium to low gain it makes a slightly audible pop when you start playing20.
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Questions
What is the difference between the Bubble Font and Tall Font Green Russians?
The Tall Font was the first edition, in a die cast metal box with tall, condensed Big Muff lettering and poor-quality paint that flakes off. The Bubble Font, from around 1995, kept the same box but switched to lettering with rounded ends and better paint. Under the hood they are very similar, though the Bubble Font editions have a bit more grit and bite and less bass than the Tall Font.
Is the Green Russian reissue the same as the original?
Electro-Harmonix calls it a faithful reissue of the Tall Font Green Russian circuit, built with BC547 transistors in a compact Nano enclosure. Kit Rae, who compared it against six original 1990s Sovteks, found it sounds practically identical to two of his originals and could not pick it out in a blind test. It adds true bypass and a 9V power jack, which the originals lacked.
What does the Sovtek Deluxe Big Muff π add?
It keeps the Green Russian core circuit and adds a foot-switchable parametric mids EQ with a 310Hz to 5.0kHz sweep, a Blend control for mixing dry and distorted signal, a Wicker top-end switch, a noise gate, and an expression pedal input for sweeping the mids frequency. It was released in December 2018 after the success of the Green Russian reissue.
Sources (23)
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Dan Auerbach
David Gilmour






