Bass
Showing 161–179 of 179 results
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Bass
Tortuga Basswolf
Tortuga Effects is keeping things simple with its Classic Series, a hand-made pedal line marked by simpler graphics, simpler effect names, and more affordable price tags. The tone of Tortuga’s Classic pedals, however, are anything but simple. Much like the what the Bassquatch is for the Sasquatch, the Basswolf is a bass-optimized version of the Werewolf dual channel drive and dirt stomp. The same versatile distortion of the Werewolf, but tweaked specifically for bass frequencies and works well with both basses and drop-tuned guitars.
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Bass, Midi, Preamp
Two Notes Le Bass
The tube-powered Le Bass dual channel preamp is Two Notes’ gift for bass players who want to create their own ampless rigs. The Le Bass preamp pedal features two separate channels—the clean, vintage voiced low gain A and the high gain B with its own post EQ—that can be used independently, in parallel, or cascaded for extreme tonal versatility. Each channel also features its own dedicated control knobs and EQ sections for iron fisted tone tweaking.
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Bass, Buffer, Distortion, Fuzz, Overdrive
Vertex Dynamic Distortion
The Dynamic Distortion by Vertex is a sonic mix of rock ’n’ roll’s two most legendary distortion pedals: the 80s TS Overdrive and 60s Germanium Fuzz. This iconic combination gives you unrivaled touch sensitivity and clean-up with your guitar volume control from sparkly clean to fuzz to overdrive while delivering the full-bodied woolliness of an old-school fuzz and the midrange cut of a vintage TS pedal. The Dynamic Distortion boasts all the benefits of mixing the tonal DNA of these iconic pedals without the drawbacks.
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Bass, Overdrive
Vertex Steel String
Get faithful recreation of the feel and tonality of the legendary Dumble Steel String Singer amp within a stompbox format with the Steel String Clean Drive from Vertex. It has been designed alongside the “Real Deal” Dumble Steel String Singer for real D-style tone, warmth, and touch sensitivity. It consists of Gain, Volume, and Filter knobs for adjusting the signal saturation, the output level of the effect, and the midrange emphasis respectively. EQ shaping, compression, boost, overdrive—the Steel String Clean Drive does it all.
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Bass, Overdrive, Volume
Vertex T Drive
The T Drive by Vertex is a sonic simulation of the iconic Trainwreck Express amp with a highly sensitive pick attack and response. Rooted in the tradition of 60s and 70s British amps, Trainwrecks are known for their quick pick response and excellent dynamics from chimney Vox-esque cleans to towering Plexi overdrive. Vertex’s journey to craft the most precise Wreck-in-a-box has resulted in the innovative T Drive pedal, which features the harmonic complexity, dynamics, and voice-esque overtones evocative of the amp it was inspired by.
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Bass, Overdrive
Vertex Ultraphonix
The Ultraphonix Overdrive by Vertex is a smooth and clear overdrive pedal inspired by elusive American boutique amps. Modeled after four different amps, it will give a remarkable and distinctive character to your tone. Built with mechanical true bypass and all-analog circuitry, the Ultraphonix recreates the iconic fat overdrive, harmonic overtones, and note bloom generated by an elusive American boutique amp. With only Gain, Volume, and Filter knobs, you can access an arsenal of tones from various genres.
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Bass, Multi-effects
VOX StompLab 1B
Vox’s StompLab series includes impressive contenders that load exceptional sounds into portable, sophisticated looking metal enclosures. Sound variations are classified by style, like a ballad, blues, and rock, making it convenient for newbies to recall the preferred sound. The feature-laden StompLab IB is suitable for those who want plenty of tones in a tiny space. Leveraging a similar sound engine as ToneLab multi-effects units and VT+ amps, the StompLab delivers 100 gig quality presets for virtually any music style.
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Bass, Multi-effects
VOX StompLab 2B
Portable yet feature-rich, the StompLab IIB from Vox is suitable for those who want plenty of tones in a tiny space. Utilizing a similar sound engine as ToneLab multi-effects units and VT+ amps, the StompLab gives you 100 gig-quality presets for various music styles. An easy to navigate and intuitive layout makes the StompLab IIB ideal for seasoned pros as well as newbies. You may craft your perfect bass sound picking from 60 programmable effects. With StompLab IIB, you can reduce your gear clutter onstage.
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Bass
Way Huge Pork & Pickle Bass
The Pork & Pickle Bass Overdrive & Fuzz by Way Huge delivers a well-balanced diet of gnarly tones for bassists who want to get down and dirty. This tasty dish serves up a combination of the rich, fatty tones of the Russian Pickle Fuzz and the warm, soft-clipping tones of the Pork Loin Overdrive within one package. Flip the OD/Fuzz toggle switch to change between the two. The Drive, Volume, and Tone knobs do their usual functions, applying to the selected dirt circuit.
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Bass, Preamp
Xotic Bass BB Preamp
Boutique effects pedal company Xotic built the Bass BB Preamp to be one of the most versatile and tonally transparent boost and overdrive pedals ever created for bass players. With up to 30dB of boost juice, the Bass BB Preamp can deliver everything from a pristine clean boost to a rough and tough overdrive and all points between. You don’t have to worry about your tone getting muddy and individual notes becoming indistinguishable, either; the Bass BB Preamp is designed to preserve your core tone even when you crank it up.
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Bass, Distortion, Switching
Xvive B1 Bass Squeezer
High quality compressors are essential tools for any musician. The problem is that most of them are pretty complicated and quite expensive. Enter the Bass Squeezer, a dead simple compressor mini pedal that won’t require three masters’ degrees and a whole stack of user manuals to dial in the perfect compression settings for your tone. Xvive and designer Jamie Mallender crafted the Bass Squeezer to be practically idiot proof, so whether or not you’ve used compressors before you’ll be able to plug in, tweak, and play quickly.
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Bass, Compressor, Distortion, Overdrive
Xvive Bass Squeezer
High quality compressors are essential tools for any musician. The problem is that most of them are pretty complicated and quite expensive. Enter the Bass Squeezer, a dead simple compressor mini pedal that won’t require three masters’ degrees and a whole stack of user manuals to dial in the perfect compression settings for your tone. Xvive and designer Jamie Mallender crafted the Bass Squeezer to be practically idiot proof, so whether or not you’ve used compressors before you’ll be able to plug in, tweak, and play quickly.
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Bass, Chorus, Looping
Xvive Duet Looper D3
Although the Duet Looper from budget guitar effects maker Xvive may not be the first micro stereo looper pedal on the market, it does have the distinction of being the first to let players use series recording and dual loop playback. It features two modes you can switch between via a toggle. In Undo/Redo mode, you can record a five-minute loop with undoable and redoable overdubs. Verse/Chorus mode, meanwhile, lets you record two separate loops of up to five minutes each. you can then record, overdub, or play these loops separately.
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Bass, Distortion
Xvive V13 Mini DI
The Mini DI direct input box from budget guitar effects pedal creator Xvive is the exact tool you need for plugging your guitar or bass directly into mixer or a club’s PA system. It’s designed to have ultra-low distortion so your core tone doesn’t get discolored, plus it has a built in cab sim that you can engage via an on/off switch. It also lets you boost or cut your signal’s gain by 20dB either way and comes with a ground lift function as well as balanced and ¼ unbalanced XLR outputs.
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Bass
Xvive V15 Tone Shaper Equalizer
The Tone Shaper from budget guitar effects pedal maker Xvive is a two-band EQ stack in micro pedal form. Each of its two multi-pole sharp cutoff filters can provide up to 6dB of gain and works equally well with a with bass or guitar. It’s easy to use, too, with Lows and Highs micro pots as well as a Level knob for controlling the overall volume. Plug in, tweak, and play—it’s as simple as that.
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Bass, Fuzz, Overdrive
Xvive W2 Overdrive Fuzz
The Fuzz Overdrive from Xvive delivers a tube-style drive that goes from subtle dirt to a screaming, highly compressed edge of breakup tube amp sound. It packs an insanely long sustain fuzz while giving you plenty of iron fisted tonal control. The Fuzz Overdrive also features impressively enhanced picking dynamics that you don’t usually hear in normally compressed fuzz and drive boxes. You can mix and match the Fuzz Overdrive’s effects any way you want.
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Bass, Distortion
ZVex Basstortion
Zvex boss Zachary Vex went all out to create what he believes is the ultimate tube-style dirt pedal for bass. The Basstortion proves that he’s not that far from the truth. It can deliver everything from warm, fat tube tone to full on basstortion. An intuitive three-knob layout makes it easy to dial in your favorite dirt tone. There’s also a Bright/Dark toggle switch for when you want to up the high frequency content in your signal.
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Bass, Fuzz
ZVEX Vexter Fat Fuzz Factory
The Fat Fuzz Factory from boutique guitar effects pedal maker Zvex is versatile enough to keep the fuzz traditionalists happy with everything from subtle fuzz to woolly, gritty hair, while letting the more experimental push the envelope with some of the wildest and most out of this world oscillating fuzz tones imaginable. Whether you’re the former or the latter, the Fat Fuzz Factory will let you dial in your own idea of the perfect fuzz and then tweak it whichever way you like, even on the fly.
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Bass
ZVEX Vexter Super Duper
With the Super Duper Concert Bass Mod, Zvex mastermind Zachary Vex has tweaked the popular Super Duper boost stomp to replicate the legendary sound of the solid state Sunn Concert Bass amp. Its distinct organic growl and rumbling low end make it ideal for both bassists and guitarists who often downtune their instruments. Zvex’s Vexter line of silk screened pedals feature the exact same tone, feature set, and internal parts and circuits as their hand-painted counterparts. The only differences are the painting process and the price.
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