Electro-Harmonix
Showing 41–80 of 119 results
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Bass, Filter
Electro-Harmonix Enigma
Few envelope filter effects pedals can come close to the tone-shaping power and precision that the Enigma: Q-Balls For Bass brings to the table. This bass-optimized envelope filter from Electro-Harmonix lets you dial in some truly expressive and funky tones using adjustable Q, sweep range, and filter type. Plug in an expression pedal and you get even more control over the Q frequency’s sweeps. There’s also a dedicated Distortion effect that can dish out everything from a subtle bite to an all-out crush.
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Compressor
Electro-Harmonix Freeze
The Freeze Sound Retainer guitar effects pedal from Electro-Harmonix has one job—let you freeze any note or chord for nigh-infinite sustain—and it does that job to perfection. Hit a note or chord then step on the Freeze’s momentary / nonlatching footswitch and you can sustain that note or chord to oblivion. Lift your foot off the switch and you’re ready to sample again. Or just step on the switch repeatedly for a chopped, stuttering effect. The Freeze also comes with a Latch mode as well as Fast and Slow decay modes.
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Filter
Electro-Harmonix Frequency Analyzer
The Frequency Analyzer XO guitar effects pedal from Electro-Harmonix is, at its most basic, a ring modulator, but the sounds it can produce go way beyond what your garden variety ring modulators are capable of. This updated stompbox adds moving harmonies to the notes you play while integrated high order filters enhance the variety of the harmonies and cut down on cross-distortions. Dedicated Blend, Fine, and Shift controls make it easy to dial in the perfect techno-tinged sound for your purposes.
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Distortion, Overdrive
Electro-Harmonix Germanium 4 Big Muff Pi
Germanium transistors have long been considered essential when it comes to crafting authentic vintage-sounding overdrive tones. For the Germanium 4 Big Muff Pi, Electro-Harmonix went above and beyond, cramming four individual germanium transistors into one powerful and versatile stompbox. The independent overdrive and distortion effects each have two germanium transistors, and you can stack them together to dish out a four-transistor wall of pure growl. Dedicated control knobs for both the overdrive and distortion sections give you full control over your tone.
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Overdrive
Electro-Harmonix Germanium OD
Classic ‘60s overdrive tones have never sounded sweeter than with Electro-Harmonix’s Germanium OD guitar effects pedal. A handpicked germanium transistor forms the backbone of this vintage-voiced overdrive pedal. For tone-shaping, there’s a Bias knob that controls the gain level and a Volts dial that lets you choose how much power goes to the germanium transistor. You can crank the latter to the max to pour the full 9V into the transistor or keep it powered down for that sweet starving battery overdrive effect.
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Vibrato
Electro-Harmonix Good Vibes
The Good Vibes analog modulator guitar effects pedal from Electro-Harmonix combines selectable iconic chorus and vibrato effects ripped straight from the ‘60s with 21st-century conveniences. Taking a page from the original Uni-Vibe, the Good Vibes creates rippling, undulating chorus and vibrato effects by way of photocells. The Good Vibes also features boosted power rails for extra definition, an always-on speed indicator, and expression pedal support for more precise control over the Speed and Intensity settings.
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Distortion, Fuzz
Electro-Harmonix Graphic Fuzz
An EQ, distortion, and sustainer pedal in one sturdy package. The Graphic Fuzz distortion guitar effects pedal from Electro-Harmonix is unique in that it comes with a six-band graphic EQ that lets it act as a standalone EQ pedal. Engage the distortion effect and you get a hairy fuzz pedal with superior midrange scooping and high responsiveness to your picking dynamics. Aside from the EQ, you also get dedicated sliders for Overdrive, Dynamics, Sustain, and Volume, making the Graphic Fuzz a truly comprehensive tone-shaping stompbox.
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Midi, Octave & Pitch
Electro-Harmonix HOG2
Electro-Harmonix broke new sonic ground with the original HOG, but with the HOG2 Harmonic Octave Generator, they’ve punched right through to a completely different auditory dimension. Not only do you get 10 customizable harmonic intervals and seven expression modes, the HOG2 sports updated algorithms that improve the quality of the HOG’s 10 generated octaves and harmonics as well as full MIDI-based parameter and preset control. The HOG2 comes packaged with an external expression pedal while an optional foot controller lets you save and load up to 100 presets.
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Reverb
Electro-Harmonix Holy Grail Max
Belying its stature as one of the simplest digital reverb pedals available on the market, the Holy Grail reverb guitar effects pedal lets you add a layer of truly heavenly reverb to your tone. With the Holy Grail Max, Electro-Harmonix bumped the original’s three selectable reverb modes up by one. The Holy Grail Max blesses your sound with faithful recreations of classic guitar combo-type Spring and lush, spacious Hall reverb modes, reinforced by the addition of new Plate and Reverse reverbs.
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Reverb
Electro-Harmonix HOLY GRAIL NANO
Belying its stature as one of the simplest digital reverb pedals available on the market, the Holy Grail reverb guitar effects pedal from Electro-Harmonix lets you add a layer of truly heavenly reverb to your tone. In the Holy Grail Nano, you get all three of the original Holy Grail’s selectable reverb modes in one tiny, pedalboard-friendly unit. The Holy Grail blesses your sound with faithful recreations of classic guitar combo-type Spring and lush, spacious Hall reverb modes plus the completely unique flange-flavored Flerb reverb.
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Reverb
Electro-Harmonix Holy Grail Neo
Belying its stature as one of the simplest digital reverb pedals available on the market, the Holy Grail reverb guitar effects pedal lets you add a layer of truly heavenly reverb to your tone. The Holy Grail Neo still features three selectable reverb modes, with one change. The unique flange-tinged Flerb reverb is out, replaced by a divine-sounding Plate reverb. Faithful recreations of classic guitar combo-type Spring and lush, spacious Hall reverb modes round out the Holy Grail Neo’s reverb offerings.
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Reverb
Electro-Harmonix Holy Grail Plus
Belying its stature as one of the simplest digital reverb pedals available on the market, the Holy Grail reverb guitar effects pedal from Electro-Harmonix lets you add a layer of truly heavenly reverb to your tone. The Holy Grail Plus does the original one better, adding a new, graceful Room reverb. Faithful recreations of classic guitar combo-type Spring and lush, spacious Hall reverb modes plus the completely unique flange-flavored Flerb reverb round out the Holy Grail Plus’ four selectable reverb modes.
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Fuzz, Octave & Pitch, Overdrive, Reverb, Tremolo
Electro-Harmonix Holy Stain
The Holy Stain is notable for being Electro-Harmonix’s first true multi-effects pedal, and they really went all out. You get Room and Hall reverb, pitch shifting, and tremolo effects bolstered by analog overdrive and fuzz for creating a truly unique and rich sonic stew. The Holy Stain is like manna from heaven for true knob-twiddling aficionados, as all of its control dials dynamically interact with each other for an even wider range of custom tones and sounds.
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Overdrive
Electro-Harmonix Hot Tubes Nano
Authentic, vintage CMOS Hot Tubes from the ‘70s may be well outside of an average musician’s price range, but that legendary Hot Tube sound isn’t out of reach thanks to the Hot Tubes Nano overdrive unit from Electro-Harmonix. Not only does the Hot Tubes Nano faithfully recreate the original’s incredibly responsive and dynamic tube-flavored overdrive tone, but it also does that as a compact, pedalboard-friendly unit. The Hot Tube Nano also comes with a true bypass feature.
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Overdrive
Electro-Harmonix Hot Wax
The Hot Wax pedal from Electro-Harmonix is what you get when you melt a Hot Tubes and a Crayon together and turn the resulting overdrive soup into a dual-drive stompbox. This powerful dual overdrive pedal lets you use the unique overdrive tones from the Hot Tubes and the Crayon individually or stack them, with the latter driving the former towards highly expressive harmonic complexity. Bass and Tone dials let you sculpt and shape both overdrive tones, while a Blend knob fine-tunes the dirt balance.
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Noise Gate
Electro-Harmonix Hum Debugger
Signal hum can be a source of headaches and frustrations for all musicians. Throw a Hum Debugger into your effects chain, though, and you can kick that annoying sound to the curb. This hum eliminator isn’t a noise gate, and neither is it a noise suppressor, but it extracts hums and buzzes from your signal and turns it into dead silence via some sonic voodoo courtesy of Electro-Harmonix. Accurate and precise noise elimination has never been easier to achieve.
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Equalisation
Electro-Harmonix Knockout
The Knockout attack equalizer effects pedal from Electro-Harmonix is a one-two punch straight to the head for maximum carnage. It packs a seven-pole low-pass filter for shaping your mids’ low ends while a six-pole high-pass filter takes care of sculpting your mids’ top ends. The Knockout’s low-frequency cutoff is set at 85Hz while the high-frequency cutoff is at 6.5kHz, plus it comes with a Dry signal knob. Place it after your distortion pedal for a true knockout attack.
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Speaker Simulation
Electro-Harmonix Lester G Deluxe
The Lester G is a full-featured Leslie-style rotary speaker emulator enhanced with a specially designed compression circuit that can further boost the rotating speaker effect when you use it with a guitar. This guitar effects pedal from Electro-Harmonix also features Fast and Slow modes controllable via footswitch, an Acceleration dial that lets you control the transition rates between the different speeds, and a tweakable tube-style overdrive section for giving your tone extra grit and hair.
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Speaker Simulation
Electro-Harmonix Lester K
The Lester K Stereo Rotary Speaker from Electro-Harmonix delivers the same great Leslie sound of the Lester G at a more affordable price point and with a compact form factor specifically tailored for keyboard players. This keyboard effects pedal from Electro-Harmonix also features Fast and Slow modes controllable via footswitch, controls for tweaking the volume balance of the upper and lower emulated rotors, mono and true stereo input and output jacks, and a tweakable tube-style overdrive section for giving your tone extra grit and hair.
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Distortion
Electro-Harmonix Little Big Muff Pi
The Little Big Muff Pi takes the well-loved vintage dirt of the Big Muff Pi and crams it all into a modern and pedalboard-friendly compact unit that’s almost half the size of the original. You get the sound and versatility you expect from a pedal sporting the Big Muff name. Dial in your preferred tone with the dedicated Volume, Sustain, and Tone control knobs to serve up some of the sweetest harmonic distortion and creamiest sustain ever produced.
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Boost, Preamp
Electro-Harmonix LPB-1
The original LPB-1 circuit was instrumental in the arrival of the age of overdrive in the late ‘60s. Electro-Harmonix has recreated that exact same circuit for its LPB-1 Linear Power Booster pedal reissue. With the LP-B 1, you can achieve full control over the gain and saturation levels of any amp you want. Plug it in ahead of the other effects in your effects chain and you can easily increase their attack and sonic definition.
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Overdrive
Electro-Harmonix Lumberjack
The Lumberjack brings a completely new paradigm to the sweet science of overdrive. Instead of a linear curve, the Lumberjack’s overdrive is based on a logarithmic curve. This makes the Lumberjack distort higher frequencies much more compared to lower frequencies, allowing your original tone to cut through the mix while the overdrive floats above it. Plug it in after a modulation pedal and the overdrive won’t oversaturate the already-effected signal. The Lumberjack is also very responsive to your pick attack and comes with true bypass.
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Midi
Electro-Harmonix MEL9
If vintage tape-based keyboard sounds get you hot and bothered, then the MEL9 Tape Replay Machine from Electro-Harmonix deserves a prime spot on your pedalboard. The MEL9 comes packed with authentic recreations of nine of the coolest Mellotron sounds ever: Orchestra, Cello, Strings, Flute, Clarinet, Saxophone, Brass, Low Choir, and High Choir. The MEL9 features dedicated Attack and Sustain controls for full sound-shaping freedom as well as separate Dry and Effect outputs, each of which has its own volume dial.
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Delay
Electro-Harmonix Memory Boy Deluxe
The Deluxe Memory Boy from Electro-Harmonix is an analog bucket brigade design pedal with the tweakability of a digital stompbox. Don’t just think of it as the Memory Man’s baby brother; the Deluxe Memory Boy can pull its own weight in the analog delay game. It features tap tempo, tap divide timing subdivisions, switchable triangle- and square-wave modulation. Adjusting rate and depth controls for the latter can give you superior chorus, vibrato, and sweep effects, plus you can plug in an expression pedal to precisely control four different parameters.
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Delay
Electro-Harmonix Memory Toy
The Memory Toy guitar effects pedal from Electro-Harmonix gives you thick analog delay even if you have a thin wallet. This close cousin of the legendary Memory Man gives you up to 550ms of lush delay time and packs a switchable shimmering chorus effect. Dedicated Delay, Blend, and Feedback control knobs let you dial in the exact delay parameters you want for authentic vintage analog sound. The Memory Toy comes with a true bypass feature.
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Boost, Distortion
Electro-Harmonix Metal Muff
As you can tell from its name, the Metal Muff with Top Boost distortion pedal from Electro-Harmonix was built to do one thing: wreak massive metal mayhem. The unique Top Boost feature boosts your signal’s high end, letting you go from rib-rattling rhythm to full-on shred mode with a single stomp. The Metal Muff packs a three-band EQ for shaping your low-end, mids, and top-end just the way you want them, plus it comes with true bypass.
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Distortion
Electro-Harmonix Micro Metal Muff
The Micro Metal Muff Distortion with Top Boost guitar effects pedal from Electro-Harmonix was built to do one thing: wreak the exact same massive metal mayhem as the Metal Muff, but in a smaller, more simplified form. The unique switchable Top Boost feature boosts your signal’s high end, letting you go from rib-rattling rhythm to full-on shred mode. The Metal Muff packs a Tone knob that gives you a 15dB midrange cut or boost, plus it comes with true bypass.
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Filter
Electro-Harmonix Micro Q-Tron
Elevate your sound to the funkiest of heights. The Micro Q-Tron Envelope Filter guitar effects pedal from Electro-Harmonix dishes out some of the grooviest wah effects known to man. Its internal envelope follower analyzes your unique picking dynamics playing to sweep the center of the envelope filter, giving you wahs that change dynamically depending on your pick attack. Controls are simple and intuitive, with three dials to set the filter mode, filter bandwidth, and drive amount.
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Overdrive
Electro-Harmonix Muff Overdrive
Capture the authentic sound of the classic 1969 Muff Fuzz without having to sell your kidney via this reissue from Electro-Harmonix. The Muff Overdrive is a no-nonsense overdrive guitar effects pedal; you get a footswitch and a volume knob to dial in the worn but warm speaker-style overdrive of a vintage tube amp. The Muff Overdrive comes in a rugged, pedalboard-friendly die-cast aluminum chassis and can be powered via a 9V battery or a compatible power supply.
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Distortion
Electro-Harmonix Nano Big Muff Pi
When it comes to fuzz pedals, the Big Muff is the stuff of legend. The Nano Big Muff Pi from Electro-Harmonix lives up to that venerable legacy by packing some of the sweetest harmonic distortion and creamiest sustain ever produced and then cramming it all into a tiny, pedalboard-friendly enclosure that’s ¼ the size of the original. Dial in your preferred tone with the dedicated Volume, Sustain, and Tone control knobs and you can grab a piece of the classic rock Pi that helped turn Jimi Hendrix and Carlos Santana into guitar gods.
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Fuzz, Overdrive
Electro-Harmonix Nano Double Muff
The Double Muff faithfully recreates the creamy overdrive sound of the classic 1969 Muff Fuzz and then doubles it to give you cascading, over-the-top high-gain distortion. The Double Muff keeps the no-nonsense aesthetic; you get a footswitch and two dedicated volume knobs for each of the Muff Fuzz circuits to dial in the worn but warm speaker-style overdrive of a vintage tube amp. A two-way toggle switch lets you choose between using just one Muff Fuzz overdrive or cascade two overdrive effects together.
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Looping
Electro-Harmonix Nano Looper 360
Taking its name from its recording time of up to 360 seconds, the Nano Looper 360 is a powerful looping device housed in a small and compact enclosure. The Nano Looper can store up to 11 loops and features an intuitive interface with only one footswitch handling record, overdub, undo, redo, and erase duties. No worries when it comes to loop quality, either; Electro=Harmonix kitted out the Nano Looper with 24-bit digital converters for high-quality sound.
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Overdrive
Electro-Harmonix Nano Muff Overdrive
From its design to its sound, the Muff Overdrive pedal from Electro-Harmonix is a complete throwback to the golden years of classic rock. This reissue of the 1969 Muff Fuzz drive stomp fully replicates that classic overdrive pedal’s warm, “worn-out speaker” sound. Unlike more contemporary overdrive pedals with knobs and switches up the wazoo, EHX keeps the Muff Overdrive simple and straightforward. Just plug in, set the volume, and hit the footswitch and you’re well on your way to overdrive heaven.
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Octave & Pitch
Electro-Harmonix Nano POG
All of the original POG’s perfect polyphonic tracking and musical flexibility distilled and contained in a positively tiny pedal enclosure. The Nano POG Polyphonic Octave Generator can make your guitar sound like a 12-string or cover your sound in hauntingly divine organ tones. Plug in a bass guitar and you can get a massively enhanced bottom end. Dial in one octave up with the Octave knob, add an octave down with the Sub-Octave dial and then mix your wet and dry signals with the Dry control for some truly unique soundscapes.
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Chorus
Electro-Harmonix Neo Clone
Packing a high-quality bucket brigade chip and a direct recreation of the legendary Small Clone chorus pedal circuitry, the Neo Clone pedal from Electro-Harmonix gives you lush, analog chorus packed into a compact, pedalboard-friendly enclosure. Fatten up your tone with everything from shallow, subtle chorus sweeps to thick, watery textures with a twist of the Rate dial and a flick of the two-way Depth switch. This affordable, low-noise, stompbox also comes with a true bypass feature.
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Flanger
Electro-Harmonix Neo Mistress
Packing the same rich flange effects as the original Electric Mistress, the Neo Mistress is a must-have for flange-heads without a lot of pedalboard space to spare. This ultra-compact pedal goves you varied tonal density plus smooth sweeping flange effects. Thanks to a manual filter matrix mode, you can freeze the filter sweep for more precise control. The Neo Mistress features true bypass and can be powered by a standard 9V battery or compatible power supply.
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Octave & Pitch
Electro-Harmonix Octave Multiplexer
Go subterranean with the Octave Multiplexer analog sub-octave generator. This Electro-Harmonix stompbox lets you get deep bass tones one octave below the notes you’re actually playing. You can easily tailor the sub-octave signal to your exact tastes with two separate onboard smoothing filters. This isn’t just a bass pedal; plug in a guitar, a keyboard, or even a mic for some truly deep bass sounds. Being monophonic, the Octave Multiplier works only on single notes.
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Fuzz, Octave & Pitch
Electro-Harmonix Octavix
Fuzz and octave effects go together like peanut butter and jelly. The Octavix octave fuzz guitar effects pedal from Electro-Harmonix gives you both in a tiny Nano-form enclosure. Dedicated Volume, Boost, and Octave control knobs let you dial in the exact torn-speaker, self-destructing amp vintage fuzz and octave sound you want. The Octavix also has an interesting switchable 9V/24V power feature; it sounds like a vintage fuzz pedal when you use 9V, while switching to 24V gives you tighter, fatter effects.
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Distortion, Overdrive
Electro-Harmonix OD Glove
In terms of sonic attack, the OD Glove guitar effects pedal from Electro-Harmonix is like a glove filled with sharp rocks. You get a biting, overtone-laden sound that doesn’t get muddy. Onboard MOSFET semiconductors give you a harmonically rich sound that goes from a subtle clean boost to saturated high-gain distortion, while a Shift switch gives your mids a boost for additional punch. There’s also an internal 9V/18V switch that lets you pick between a looser or a more focused tone.
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Fuzz
Electro-Harmonix Op-amp Big Muff Pi
Op-Amp Big Muffs from the late ‘70s may be selling for about half a kidney right now, but you can still get that massive, crushing Big Muff sound for way less via the Op-Amp Big Muff Pi. This compact and affordable reissue uses op-amps rather than transistors to create that signature crunch popularized by Smashing Pumpkins’ Billy Corgan and James Iha on the Siamese Dream album. Control the fuzz texture via dedicated Volume, Tone, and Sustain knobs and use the tone bypass toggle for maximum aggression.
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