Distortion
Showing 281–320 of 350 results
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Distortion, Midi
Source Audio Soundblox Pro Multiwave Distortion
The Soundblox Pro Multiwave Distortion by Source Audio caters to sonic explorers, those musicians seeking unique sounds. It serves up 23 distinct and highly customizable effect types spanning from traditional to distinctive and aggressive synth-esque distortions. It incorporates a seven-band graphic EQ, MIDI input, six programmable user presets, and an expression pedal input that lets you smoothly morph from a preset to another. Programmability, versatility, and a bold sense of adventure make the Multiwave Pro an invaluable tool for both stage and studio.
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Bass, Distortion, Midi
Source Audio Soundblox2 Multiwave Bass Distortion
The Source Audio Soundblox 2 Multiwave Bass Distortion repackages all the Soundblox Multiwave Bass Distortion’s low-end retaining fuzz and distortion tones into a portable, cast-aluminum chassis. It gives you 23 non-traditional and traditional synth-esque effects plus two user presets, a Clean Boost mode, individual Clean and Distortion Mix knobs, three-band tone control, three-level noise gate, universal bypass, and a multifunction input compatible with MIDI, Hot Hand, or the Source Audio Dual Expression Pedal. The Soundblox 2 Multiwave Bass Distortion includes both single- and multi-band processing.
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Distortion, Midi
Source Audio Soundblox2 Multiwave Distortion
The Source Audio Soundblox 2 Multiwave Distortion boasts all of the original unit’s synth-esque and futuristic fuzz and distortion tones, housed within a portable, cast-aluminum enclosure. It features 23 distortion effects along with two user presets, universal bypass, a Clean Boost mode, three-level noise gate, three-band tone control, and a multi-function input jack compatible with an expression pedal, MIDI, or Hot Hand. You can connect a MIDI controller for external access to parameters and presets. The Soundblox 2 Multiwave Distortion includes both single- and multi-band processing.
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Bass, Distortion, Fuzz, Midi, Overdrive
Source Audio Soundblox2 OFD Guitar microModeler
The Soundblox 2 OFD Guitar microModeler by Source Audio gives you an extensive range of vintage and modern overdrive, distortion, and fuzz tones in a portable, stage-ready enclosure suitable for guitarists of any genre. Every effect was meticulously created to deliver naturally responsive and precise tones, from chunky, warm tube overdrive to exaggerated fuzz. The Guitar OFD serves up twelve noticeably natural tones modeled after favorites, including Mesa Boogie preamp overdrive, Big Muff Pi, Fuzz Face, Octavia, Pro Co Rat, Tube Screamer, and Marshall Amplifiers.
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Distortion, Overdrive
Suhr Eclipse
The Suhr Eclipse is a no-compromise, two-channel distortion/overdrive that serves up an abundance of warm, natural amp-esque tones in a convenient and compact format. Its incredible versatility comes from its intuitive and powerful dual-channel circuit design. Every channel is entirely independent and features a separate Level, Gain, and three-band passive EQ, identical to a channel switching amp. You can voice both channels individually to fulfill all your playing needs. Add a clean amp, and you get a three-channel rig.
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Distortion
Suhr Riot
As its name implies, the Suhr Riot is a high-gain distortion box ready to make a tiny clean tube combo sound like an angry stack. It will make you forget that you are playing via a pedal. It works with the amp to produce a full sound that does not sound overly electronic or artificial. The Riot features the touch sensitivity and sonic characteristics of a high-quality 100-watt tube amp. It consists of Dist, Level, and Tone knobs. Use the Dist to set the amount of gain added to your tone, bringing you from classic crunch to high-gain goodness.
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Distortion
Suhr Riot Mini
Featuring a compact, pedalboard-friendly design, the Suhr Riot Mini inherits all the classic hi-gain DNA of its big brother. Tiny yet mighty, the Riot Mini is armed with Tone, Distortion, and Level controls, true bypass, a two-way Voice switch, and an on/off effect status indicator. It comes in a roadworthy power coated die-cast chassis for durability. With this compact pedal, you no longer have to choose. You now have enough pedalboard space to add another one.
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Distortion
Suhr Riot Reloaded
A perfect companion to your Riot pedal, the Riot Reloaded is a flexible distortion pedal that provides you with a broad spectrum of Hi-Gain tones, with an amp-esque vibe, within a compact enclosure. It is the culmination of long hours of testing, listening, and modifying the original distortion circuit to build an amp-like and blatantly aggressive pedal with more gain (30% more than the original Riot). The Riot Reloaded consists of Tone, Level, and Dist knobs, plus a Voice toggle.
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Bass, Boost, Distortion
T-Rex Bass Juice
Rekindle the joys of injecting juice to your sound with the Bass Juice by T-Rex Engineering. It serves up organic distortion specifically designed for bass. When in normal mode (boost function off), you get an excellent sustain with big bottom and rich creamy overtones. Engaging the boost function takes you to fuzztone heaven. The Bass Juice consists of controls for Gain, Mix, Level, and Tone. The Mix knob allows you to add the perfect amount of distortion to your natural tone.
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Distortion
T-Rex Dr. Swamp
The Dr. Swamp from T-Rex Engineering packs two exceptional classic distortion pedals into one box. You may change between rhythm and lead settings or program it to yield two distinct lead sounds. This famed twin distortion pedal is convenient to set up and use on stage. It boasts two identical channels of classic distortion, each with a separate on/off switch. Both channels include Level, Gain, and Tone controls. Level governs the overall volume, Gain adjusts the distortion level for the channel, while Tone gives you more control of your sound.
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Distortion, Fuzz
T-Rex Mudhoney
As its name hints, the Mudhoney by T-Rex Engineering is sweet and dirty, delivering delicious distortion. It is equipped with all the tasty ingredients of a T-Rex classic: stellar tone, a sturdy design, and a perfect mix of controls. It is acclaimed for its incredible tonal range and capability to serve up anything from a smooth dirty edge to a distressing wall of distorted sound. With the boost switch off, the Mudhoney yields an extensive range of sweet-sounding overdrive. It is essentially like owning two distortion pedals in one.
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Boost, Distortion
T-Rex Mudhoney II
The sweet and dirty Mudhoney has been acclaimed for its incredible tonal range and has set the benchmark for several T-Rex pedals to come. The Mudhoney II Dual Distortion is a new generation of that classic pedal, keeping and doubling everything exceptional about the original unit. The two vintage gain channels allow you to effortlessly switch between a beautiful edgy overdrive from one Mudhoney channel, a clean sound from your amp, and a thick warm distortion from another channel.
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Buffer, Distortion
T-Rex Nitros Hypergain
The Nitros Hypergain by T-Rex Engineering is capable of capturing a very punchy and scooped high gain distortion. As a highly tweakable dirt pedal, the Nitros Hypergain will make the “80s hair rock” sound to a T as well. Lower gain settings are perfect if you want Texas boogie-rock. By featuring an active three-band EQ, the distortion’s color is adjustable, and the EQ knobs’ range is extensive. The Nitros Hypergain features an aggressive and bold clipping circuitry.
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Boost, Distortion
T-Rex Vulture
The Vulture Distortion from T-Rex Engineering is highly customizable, featuring an extensive range of gain levels as well as a broader range of distortion sounds. It comes in a compact form factor with a simple layout. It consists of controls for Level, Gain, Tone, Fat Boost, and Low Boost. The Fat Boost control lets you add punch and weight, while the Low Boost knob is designed for giving more body. A massive bottom end is available at the roll of a knob.
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Distortion
TC Electronic Dark Matter
Experience a phenomenal distortion pedal with the TC Electronic Dark Matter Distortion. It features an extreme dynamic range providing you with incredibly musical distortion that covers a broad sound spectrum. Vintage-voiced distortion from analog circuits delivers a full sound with dynamic response easily adjustable to a variety of tones. Two-band EQ with active Bass and Treble controls allows you to sculpt your sound. The voicing switch lets you toggle between extra bass for a more contemporary sound or adding retro vibes to your tone.
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Distortion
TC Electronic Eyemaster
With its straightforward two-knob operation, the Eyemaster Metal Distortion from TC Electronic takes back the classic metal credo of “loud and brutal.” Simply adjust the gain and set the volume to start riffing. The Eyemaster Metal Distortion has been specially crafted to channel the Swedish death metal tone. This bone-crushing metal distortion pedal comes in a sturdy metal chassis. Roll in massive amounts of gain to bring your tone over the top. The Eyemaster Metal Distortion was designed and engineered in Denmark.
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Distortion
TC Electronic Fangs
The Fangs Metal Distortion by TC Electronic boasts an ultra-versatile arsenal of tone tools that shapes your sonic onslaught to perfection. From the thick walls of doom metal distortion to very tight thrash tones, you will get it all here and then some within a super affordable, battle-ready pedal. Whether you want searing solo sounds or tight, raunchy rhythm tones, the Fangs Metal Distortion’s bone-crushing gain structure will make you the master of anything you survey.
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Distortion
TC Electronic Grand Magus
Filled with organic tube amp-like distortion, tight bottom end tone, and tube compression, the Grand Magus Distortion by TC Electronic channels the true essence of rock ‘n’ roll. It features lush mids with smooth, creamy highs. Pair all that tone with endorphin-elevating affordability and the sultry vibe of a vintage tube-rectified power supply, and you have a gleaming one-way trip to guitar bliss. Designed and engineered in Denmark, the Grand Magus Distortion boasts a sturdy metal enclosure.
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Distortion, Overdrive
TC Electronic Nova System
The Nova System by TC Electronic is a phenomenal compact processor that serves up a comprehensive floor-based guitar effects solution featuring six effect blocks and analog drive. You can easily craft studio-quality tones with six exceptional effect blocks ported straight from TC Electronic’s flagship G-System. The Nova System is a pure analog programmable overdrive and distortion section under preset and expression control which incorporates a range of effects taken directly from the master of floor-based processors.
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Distortion
Tech 21 Blonde
Powered by Tech 21’s renowned SansAmp amp simulator system, the Character Series CS-BL.2 Blonde serves up exact replicas of everything from Fender silverface and blackface amp sounds to the rich clean tones of a classic tweed. Level, Mid, Character, Drive, Low, and High pots let you go from a crystal clear clean tone to a screaming saturated drive. Whether you use the Blonde as a pure drive stomp, a preamp, or a recording tool, you’re sure to capture that classic tone you’re looking for.
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Boost, Distortion
Tech 21 Boost Distortion
Looking for big, tight, aggressive distortion? That’s exactly what you get with Tech 21’s Boost Distortion guitar effects pedal. Dial in your perfect dirt tone with the dedicated Level, Tone, and Drive knobs then use the unique Sag pot to control the distortion effect’s dynamic pick attack response. The Boost Distortion doesn’t just add dirt to your signal, though; a separate Boost section gives you up to 21dB of punchy, crystal clear signal juice to take your signal over the edge.
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Boost, Distortion, Fuzz
Tech 21 Boost Fuzz
A big, creamy, germanium powered fuzz tone—and more! Tech 21’s Boost Fuzz guitar effects pedal can serve up killer fuzz tones with impressively smooth sustain. Dial in your perfect fuzz tone with the dedicated Level, Tone, and Drive knobs then use the unique Boost Series Sag pot to control the fuzz effect’s response to your dynamic pick attack. Engage the separate Boost function and juice up your signal with up to 21dB of clean, punchy boost.
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Boost, Distortion
Tech 21 BST-D
Looking for big, tight, aggressive distortion? That’s exactly what you get with Tech 21’s Boost Distortion guitar effects pedal. Dial in your perfect dirt tone with the dedicated Level, Tone, and Drive knobs then use the unique Sag pot to control the distortion effect’s dynamic pick attack response. The Boost Distortion doesn’t just add dirt to your signal, though; a separate Boost section gives you up to 21dB of punchy, crystal clear signal juice to take your signal over the edge.
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Bass, Distortion
Tech 21 dUg Pinnick
Legendary King’s X frontman and bassist Doug “dUg” Pinnick’s signature bass sound, distilled and bottled by Tech 21 into a highly versatile floor unit. The dUg Pinnick DP-3X signature bass pedal is essentially an ultra-compact version of Pinnick’s Tech 21 Ultra Bass 1000 signature head with the ability to dial in the original distortion-heavy bass tone he developed way back in the ‘80s. There’s no better endorsement here than Pinnick’s, who road tested the DP-3X on a European tour and still managed to dial in the tone he wanted no matter the backline.
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Bass, Distortion, Fuzz
Tech 21 Red Ripper
The Red Ripper fuzz box for bass from Tech 21 is more than your bog standard dirt stomp. It is highly responsive to you picking dynamics; the harder you hit your bass strings, the more saturated your tone becomes. Pull back on your attack and you get a smoother sound and heavier lower harmonics. The Red Ripper’s unique R.I.P. pot also lets you dial in a wide range of fuzzed-out bass tones, from vintage hair to octaver fuzz and even through to a Moogie-like synth tone.
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Distortion
Tech 21 U.S. Metal
Tech 21 has taken their renowned SansAmp system and used it to create the Character Series pedals, stompboxes designed to emulate some of the most highly respected classic amp tones ever heard. The SansAmp Character Series U.S. Metal dirt box, in particular, is the evolution of the older U.S. Steel stomp. You get the raw, hell-raising power reminiscent of a Mesa/Boogie Rectifier amp, plus iron-fisted tonal control for dialing in everything from dirty blues drive to a full-on metal assault.
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Distortion
Tech 21 U.S. Steel
Tech 21 has taken their renowned SansAmp system and used it to create the Character Series pedals, stompboxes designed to emulate some of the most highly respected classic amp tones ever heard. The SansAmp Character Series U.S. Steel dirt box, in particular, is reminiscent of a Mesa/Boogie amp, serving up massive metal distortions perfect for chugging riffs and searing leads. A unique Character knob lets you control your tone even further to dial in practically any metal tone you might need.
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Distortion
Throne Room Pedals Revelator
Open your eyes to the might of the Revelator, a high gain distortion guitar effects pedal from Throne Room Pedals. This dirt stomp gives you all the gain and boost you could ever need. You can dial in something approximating a clean boost if you keep the gain low, of course, but when you really want to cut loose you can go straight to dirty, gritty distortion that’s already encroaching on fuzz territory. A three-way clipping toggle gives you an even wider range of tonal possibilities.
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Distortion
Tom’sline Black Teeth
The Black Teeth dirt stomp from budget guitar effects pedal maker Tomsline is a growling, gnashing beast pumping out massive waves of gritty, aggressive distortion. Usings its intuitive three-pot control knob scheme, you can dial in everything from subtle dirt to a full-on metal attack. Use the three-way toggle to switch between three modes—Solo, Turbo, and Normal—to further broaden its tonal possibilities. The Black Teeth features Tomsline’s patented stop bar design to keep your foot from messing up the pedal’s settings when you stomp on it.
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Distortion
Tom’sline British Overdrive
Budget guitar effects maker Tomsline’s British dirt box packs a the classic Marshall plexi crunch into a tiny but sturdy encolure. It’s got all the gritty gain and aggressive attitude of vintage ‘80s metal, though you’d have to provide the teased hair and skin tight spandex yourself. An intuitive Volume, Gain, and Tone control pt layout makes it easy to dial in your preferred tone, plus you get to play around with two switchable modes, Normal and Bright, available via a two-position toggle.
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Distortion, Fuzz
Tom’sline Cream Distortion
The legendary fuzz tone of Electro-Harmonix’s well loved Big Muff pedal, packed into a stompbox that literally fits in the palm of your hand. Budget guitar effects pedal maker Tomsline’s Cream pedal is full of rich, creamy fuzz tones that you can shape with its three dedicated control pots: Volume, Tone, and Sustain. Dial in everything from a subtle peach fuzz to full on grit and hair. You get big, saturated distortion from a tiny but sturdy fuzz stomp.
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Distortion
Tom’sline Firecream
Dial in a wide range of rich, creamy fuzz tones to layer onto your guitar signal with the Firecream fuzz stomp from budget guitar effects pedal maker Tomsline. Dedicated Volume, Tone, and Sustain pots let you sculpt the exact fuzz tone to meet your demands. Due to its size, the Firecream can’t accommodate a 9V battery; you need a compatible DC 9V adapter to use it. The Firecream also features Tomsline’s patented stop bar design to keep your foot from messing up the pedal’s settings when you stomp on it.
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Distortion
Tom’sline Holy War
Don’t let its tiny size fool you; the Holy War dirt box from budget guitar effects pedal maker Tomsline lives up to its name. This medium to high gain distortion pedal can serve up a wide range of crushing dirt tones which you can customize using the dedicated Contour and Dist pots as well as the two-way toggle that lets you switch between Normal and Classic modes. The Holy War features Tomsline’s patented stop bar design to keep your foot from messing up the pedal’s settings when you stomp on it.
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Distortion
Tom’sline Manic
The Manic stompbox from budget guitar effects pedal maker Tomsline packs a classic high gain distortion tone built for creating walls of crushing sound. This analog dirt box features three distinct distortion modes–Soft, Tense, and Normal–that you can switch between using a three-way toggle. Volume, Gain, and Tone pots let you shape your sound even further. The Manic features Tomsline’s patented stop bar design to keep your foot from messing up the pedal’s settings when you stomp on it.
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Distortion, Overdrive
Tom’sline Overdrive/Distortion Mini
Need a drive stomp AND a dirt box but don’t have much space on your pedalboard? The Overdrive/Distortion pedal from budget guitar effects pedal maker Tomsline is the answer to your prayers. This two-in-one pedal can dish out everything from smooth, textured overdrive to crunchy, balls-to-the wall distortion and all points in between while taking up almost no pedalboard space at all. The Overdrive/Distortion packs a heavier distortion punch than its size and price would suggest.
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Distortion, Midi, Overdrive
Truetone V3 Jekyll & Hyde
The Visual Sound Jekyll & Hyde overdrive is a true classic, having been the first real dual effect stompbox ever released. With Visual Sound’s rebranding into Truetone, they’re releasing an updated version of their popular pedal. V3 of the Jekyll & Hyde drive stomp is a complete redesign that modernizes the original. It features the same warm Jekyll & Hyde tone but with modern conveniences like optional true bypass or Pure Tone buffered bypass, MIDI compatibility, and custom Forever Footswitches.
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Distortion, Filter
TWA Mini Morph
The Mini Morph dynamic waveshaper pedal is a minified and simplified version of Totally Wycked Audio’s DM-02 Dynamorph envelope controlled harmonic generator. It’s a unique dirt stomp that dynamically morphs the distortion tone’s EQ components via an envelope dependent drive circuit. You can create a wide range of bizarre sizzling dirt tones via the Drive, Morph, Gain, and Dry controls, plus there’s a Mode switch hidden on the left side of the chassis that lets you switch between two distinct overall EQ settings.
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Distortion
TWA SC-01
The FB-01 Fly Boys distortion mini pedal from Totally Wycked Audio isn’t just your average dirt stomp; it captures the tight, focused distortion tone of the legendary Marshall JCM800 amp and serves it up scorching hot. The FB-01 lets you dial in all the high gain grit and grandeur that the JCM800 is known for and then gives you full control over the distortion attack by responding dynamically to your playing style and guitar volume.
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Distortion, Overdrive
TWA SC-02
Totally Wycked Audio’s Fly Boys line is a collection of ultra-compact and super affordable mini pedals that pack boutique level tone but without the boutique level price tag. The FB-02 overdrive pedal is a must have for tube amp aficionados and purists. It serves up a tonally transparent and completely organic tube amp overdrive that ranges from subtle drive to full saturation. Switchable Hot and Warm modes open up all-new sonic possibilities, making the FB-02 an even more flexible drive stomp than it already is.
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Bass, Buffer, Distortion, Fuzz, Overdrive
Vertex Dynamic Distortion
The Dynamic Distortion by Vertex is a sonic mix of rock ’n’ roll’s two most legendary distortion pedals: the 80s TS Overdrive and 60s Germanium Fuzz. This iconic combination gives you unrivaled touch sensitivity and clean-up with your guitar volume control from sparkly clean to fuzz to overdrive while delivering the full-bodied woolliness of an old-school fuzz and the midrange cut of a vintage TS pedal. The Dynamic Distortion boasts all the benefits of mixing the tonal DNA of these iconic pedals without the drawbacks.
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